5 tips for Detached Youthwork, from Street Photography.

Over the last few months ive been intentionally out and back on the streets again.

But not as a detached youth worker, instead going out with a camera and learning, slowly the art of street photography.

And I love it.

I love the interaction with people. I love the sense of the in between space. The context. I love what it brings out in me.

I love observing.

I love also how its given me a new way of seeing the world – or should I say, its given me an avenue to develop what I loved so much about doing detached youthwork.

I want to share with you a few themes that are beginning to emerge for me, some of the lessons im learning at the moment, which might be useful for you if you’re out doing street based youthwork.

  • Know your Intention

With a Camera, I have to be sure of why I am there. It would sinister to try and hide what I am doing, it would arouse suspicion. I may be able to say this in a few ways, and I am genuine with folks when I say I am learning, trying new skills. I have had people already ask me if im surveying for film locations..

You are going to be asked why you are there. Whether a street photographer or detached youthorker.

Be confident in what you are doing. If you’re not confident, then ask why.

I liked this video by George Holden explaining this, you might like it too.

For detached youthwork.. know why you are there, and ensure that all of your team are there for the same reason. Its important…

  • Smile and be light

Especially when there’s any confrontation. For me, there is no photo in the world that I could take thats more important than damaging someone else’s day by taking a photo that they didn’t want me to do so. It’s important to be a good human. To look as though I am enjoying myself, smiling and having fun. Im one of the performers on the street as the stage. Today I was asked by some security guards about my photos, they have every right to ask, they are doing their role in the streets too.

Also, Smile and give feedback, ive told people that they make a nice photo, and thank them. Most people so far enjoy this.

I can look back and realise quite how much I wasn’t in a smiling place during much of my detached work…. it was a job, it was a profession, it meant a lot to me, and it was an escape.. not the best I know.. Im so enjoying smiling and interacting with people in this way.

  • Mindfulness.

Yup. I have noticed that when I make judgements of situations with a camera I am less ‘in the moment’ to take a photo – my mind has made up stories of situations. A classic example was a few weeks ago, there was a black gospel choir singing – and a white man preaching in Newcastle. My mind had gone to all sort of places in terms of making judgements on this in terms of power and race. Some or none might be valid, but all took me away from my actual intention, and away from being present.

The street, and people are what they are. It is a place full of colour, activity, noise, drama, unpredictability, and none of it needs to be judged, it can be enjoyed.

Im reminded of how easy it was to ‘make up stories’ about groups of young people on the streets – what they might be doing, activities, previous experiences, and not be able to stay in the present, in the moment. Mindfulness. The present is the important place. Thats where the interaction happens.

  • Bursts may be better than Exhaustion.

Ive found that I can walk and take photos for hours without realising it, I used to walk the streets around a city doing detached youthwork for 2-3 hours without a break. What im finding is that im more concentrated and present in shorter bursts, so grabbing a coffee or a break helps. Often in a city I seem to naturally find a space away from people for a while, today I found Manors railway station and took some photos there for a while, a few weeks ago in Whitby I walked down the harbour, away from the crowds for an hour. Leaving to come back can give fresh eyes. refocus the mind.

  • The Context plays a Part.

Today I practiced taking photos with the context in the frame. A lamppost, bin, bollard, edge of building, railing, as part of the frame and photo, giving the context a part in the photo. I talked about context a lot previously – do look up those pieces on the categories tab. The day of the Kings coronation brought some crowds to Newcastle , on a bank holiday the tourist were in force in Whitby… these all shape the context – and the streets, city, suburb, rural all have a different effect on communities of young people.

Just a short piece, on What im learning from the Streets… as a street photographer, and how this might be useful in detached youthwork too. There is probably a few more other things too.

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